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1. Use a descriptive title for your paper; it should identify the
author and/or work and your slant or thesis. Also, provide a heading at the top
left of you paper (your name, class, instructor name, and date) and page numbers
(with your last name) in the upper right. Use 1.25" margins all around and a
readable font (Times Roman is good). Please left justify. Full justification
(even right margin) creates uneven spacing and makes the paper hard to read. Thoreau, Henry David. The Maine Woods. 1864. Ed. Joseph Moldenhauer. Princeton: Princeton UP, 1972. ---. Walden. 1854. Ed. J. Lyndon Shanly. Princeton: Princeton UP, 1971. The second entry is by the same author, alphabetized by title. Note where the periods, commas, and colons go. Use postal abbreviations for states, U = University, P = Press. 3. Use in-text notes instead of footnotes. Try to "set up" (signal phrase) the book title and author in the sentence introducing the quotation; this simplifies everything. As Henry David Thoreau wrote in Walden, "I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived" (52). Note the order of end punctuation: quotation mark, parenthesis, page number, parenthesis, and period last. Note also that we use a colon for more formal or complete introductions, a comma or no punctuation if the quotation is an integral part of the sentence structure. 4. Once you have introduced a book and author, you can use a short form -- "blah blah blah" (221) -- for all subsequent quotations, unless another new source is introduced. When a new source appears, you must give a full citation (Thoreau 221) or set it up. Every time a new source appears, you must do this. But once you introduce a source and are quoting from it alone continuously, you can simply use page numbers. 5. Suppose you're quoting from two books by the same author: you still try to set up the quote by announcing the author's name before the quotation, but it might be awkward to give the book title too. So you put that in the parentheses: As Thoreau wrote, "blah, blah, blah, blah" (Maine Woods 221). 6. Sometimes you can't set up a quotation this well in advance. Then you put all three items, in shortest form, in parentheses: As one scholar noted, "this characterization comes from the Ovid" (Thoreau, Walden, 67). 7. With electronic sources, you follow the same procedure, only you can't provide page
numbers. Instead, give the paragraph number, if provided, or section number (use
"par" and "sec" to abbreviate). If none are given, use no numbers at
all, but still indicate that there is a citation for the material you are quoting, even
when you use the signal phrase. According to a webpage sponsored by the Children's defense
fund, fourteen American children die from gunfire each day ("Child"). 11. Use [ ] around references or explanations that you add: "Why would she hang on him [Hamlet's father]." Use an ellipsis to signal an omission from the original. Three for words and phrases; four if a sentence was concluded. Also, if you wish to note than an error is the text's and not your own, us the the latin work sic in brackets. Here's an example of all three at work: Jefferson describes looking over the Natural Bridge in the first chapter of Notes:
12. If you quote someone but you quote them in a source other than the primary text, you must say so. For example, Thoreau wrote in a letter to H.G.O. Blake on August 28, 1857: I have made a short excursion into the new world which the Indian dwells in, or is. He begins where we leave off . . . . I rejoice to find that intelligence flows in other channels than I knew. (qtd. in Moldenhauer 134) 13. Write with strong, active, present tense verbs. For example: I see the theme developing through George and Elizabeth, whom I think stand for George-ness and Elizabeth-ness. Avoid passive verb constructions, such as "The theme that was seen by me . . . " 14. Chose one point of view and stick to it. I don't care whether you write in the first person (I) or third (the reader) or pretend to omniscience ("Kerouac's sentences have a loose, disjointed quality..."), but be consistent. 15. Spend much time in revision: For each paragraph, read the first and last sentences: do they present a continuing line of thought? The first is the topic sentence, the last is the transition. If not, then ask: what am I arguing here? how do I know? so what? And revise to satisfy those questions. Be sure that the introduction and conclusion tie together, as a problem posed and resolved, or as a theme announced and completed. Streamline your prose with these steps:
---Remember that you must quote anything that is not your own.--- |
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